Opeth - Blackwater Park (2001)
With ‘Blackwater Park’, Opeth mastered what could be capable with progressive metal. It’s an album filled with personality and careful attention to detail, easily blending together moments of dissonance and harmony.
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Between the Buried and Me - Colors (2007)
Born out of an innate desire to escape pedestrian metal, Between the Buried and Me dug deep with ‘Colors’ to show what progressive metal can do in a modern context. Beyond the killer riffs and intricate musicianship, the band also proved how much fun could be had with prog.
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Dream Theater - Metropolis Pt. 2: Scenes From a Memory (1999)
Each member tell as much a story with their instruments as singer James Labrie does with his vocals. Riffs cast a huge soundscape and driving momentum as the record goes through it’s different scenes, creating a level of feeling far beyond what others thought possible.
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Meshuggah - Chaosphere (1998)
‘Chaosphere’ is an album that shows just how much finesse and flair can be done with “chug chords.” Songs build off similar sounds, allowing riffs to bounce back and forth on themselves into complex time patterns while letting other solos work their magic on top of it.
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Iron Maiden - Seventh Son of a Seventh Son (1988)
This album shows off just how intricate the band could get, and their mastery of heavy metal on songs like “The Clairvoyant” that seem to pull the listener into different galaxies and realities.
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Periphery - II (2012)
It’s hard to believe what an influence “djent” would have on the larger progressive metal scene, but Periphery’s II: ‘This Time It’s Personal’ made a good case for it. It’s an album with a good midpoint between different genres, featuring riveting and twisting guitar melodies and riffs, mixed in with a good blend of harsh and clean vocals.
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